These are actually 2 different albums released and packaged together. Since they're technically separate albums I'll do separate reviews of each disc.
First off is Stereo
After a few unsuccessful solo attempts, Paul Westerberg (dubbed the king of "Slacker Rock") decided to say goodbye to studios and session musicians and record and perform everything by himself in his basement. The recordings tend to be a big "crude" since he didn't fix any imperfections in his songs like the tape running out in the middle of the song. This happens in at least 2 of the songs on said album. Despite the DIY approach to the album the sound quality is actually quite nicer than you would expect.
The music itself is also nothing to expect anything less of. Despite recording everything by himself, his songs are nothing short of great. Many consider this album his best work since leaving The Replacements. Many of the songs on the album are quite folk rockesque which might remind you of Bob Dylan. The album is filled with the well loved "ballads" many renown Westerberg for. There is also a hidden track which is a garagey cover of the New Wave song Postcards from Paradise from Flesh for Lulu.
Now on to Mono
Now Mono is credited to his Grandpaboy alter ego. Grandpaboy is what Westerberg claims is his "hard rock" work, and it's mostly a reminder of old school blues rock and rock and roll and influenced by his idol Alex Chilton. These songs are more upbeat than Stereo and as the title suggests the songs are in Mono. This album sounds like Westerberg is trying to record an album he wanted to sound like it was recorded in the 60's with the rough recordings.
These songs are more catchy than in Stereo and the music feels less depressing than the Stereo counterpart. The songs would probably remind you of The Replacements album Pleased to Meet Me.
Stereo recommended tracks: Got You Down, Dirt to Mud, Let the Bad Times Roll
Mono recommended tracks: Silent Film Star, Eyes Like Sparks, Let's Not Belong Together
Stereo Rating 5/5
Mono Rating 4/5
First off is Stereo
After a few unsuccessful solo attempts, Paul Westerberg (dubbed the king of "Slacker Rock") decided to say goodbye to studios and session musicians and record and perform everything by himself in his basement. The recordings tend to be a big "crude" since he didn't fix any imperfections in his songs like the tape running out in the middle of the song. This happens in at least 2 of the songs on said album. Despite the DIY approach to the album the sound quality is actually quite nicer than you would expect.
The music itself is also nothing to expect anything less of. Despite recording everything by himself, his songs are nothing short of great. Many consider this album his best work since leaving The Replacements. Many of the songs on the album are quite folk rockesque which might remind you of Bob Dylan. The album is filled with the well loved "ballads" many renown Westerberg for. There is also a hidden track which is a garagey cover of the New Wave song Postcards from Paradise from Flesh for Lulu.
Now on to Mono
Now Mono is credited to his Grandpaboy alter ego. Grandpaboy is what Westerberg claims is his "hard rock" work, and it's mostly a reminder of old school blues rock and rock and roll and influenced by his idol Alex Chilton. These songs are more upbeat than Stereo and as the title suggests the songs are in Mono. This album sounds like Westerberg is trying to record an album he wanted to sound like it was recorded in the 60's with the rough recordings.
These songs are more catchy than in Stereo and the music feels less depressing than the Stereo counterpart. The songs would probably remind you of The Replacements album Pleased to Meet Me.
Stereo recommended tracks: Got You Down, Dirt to Mud, Let the Bad Times Roll
Mono recommended tracks: Silent Film Star, Eyes Like Sparks, Let's Not Belong Together
Stereo Rating 5/5
Mono Rating 4/5